AWANG DAMIT AHMAD
B. Sabah, 1956
E.O.C “Rumbia Dan Pucuk Paku”, 1992
Signed and dated “A. W. DAMIT 92” on lower right
Shenn’s Fine Art gallery label affixed to the reverse
Mixed media on canvas
76 x 61 cm
Private Collection, Kuala Lumpur
Exhibited at Awang Damit Ahmad: Intipati Budaya – Essence of Culture (1989-1993) exhibition at Shenn’s Fine Art, Singapore in 1994
Illustrated in the exhibition catalogue
RM 25,000 – RM 60,000
It can be argued that Awang Damit’s works are elegiac. They do not have pretty colours nor are they paintings of flawless and fantastic dream realms. They are commanding, ruthless and stares back at the viewer, standing its ground firmly. As seen in this piece, the colours are dark and busy, creating a chaotic atmosphere. Jagged lines, shapes and random colours are scattered about the canvas, so forceful that they command the attention of the viewer at once.
These are not mere random drawings or arbitrary strokes of the brush, these are raw gestures filled with raw human emotions and the essence of culture (hence the series’ title) – Awang Damit’s intellectual journey. “Through them I try to translate the deepest parts of it onto something that is tangible,” said Awang.
His bittersweet memories of his childhood are represented in this canvas, filled with emotions that are hard to forget even after all these years. They are, of course, unique in terms of colours and shapes, but that is what makes Awang Damit and his works truly memorable. The message needs a little dissecting, as if the viewer is trying to dissect parts of Awang Damit’s personality as well, as if one looks close enough they may find bits and pieces that may hint at what the painting is truly about.